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Sunday, February 18, 2018

HB2HB QSO with KC1FSZ and his Al Fresco Scratch-built BITX

I had some good luck on the ham bands last weekend.  First, I was called by Bruce KC1FSZ -- this time he was on his Al Fresco scratch-built BITX-on-a-board.  FB.  The next day, I called CQ on what seemed like an empty 17 meter band.  I heard someone come back -- it sounded like DX.  I had to swing the Moxon a bit -- oddly, I thought, to the south-east.  FR5FC was calling me from Reunion Island.   TRGHS. 

Here's a follow-up message from Bruce: 

Hi Bill:

Great to catch up with you on 40m yesterday.  I was using the Peppermint II which is a scratch-build of the BITX-40 for the most part, although I did my own digital VFO/BFO and made a few other modifications in order to be able to use it on 80m.  It took about 8 months of noodling to get the thing to work, but it was a great learning experience. 

As discussed, I’m working on a 24V power supply (LM723 + 2N3055) and a push-pull IRF510 final so that I can get some more power.  

I got a few more Williams-Sonoma Peppermint Bark tins off of EBay so I’m ready to start boxing things up as soon as the linear is working. 


Bruce KC1FSZ

Saturday, February 17, 2018

KD4PBJ's Acorn AM Broadcast Band Regen

From Chris, KD4PBJ: 

This is my AM band regen I built during December and early January. 

It uses a 955 acorn tube and is a really hot performer! I can pick up dozens of stations with only a 20 ft piece of wire thrown out my shop window and tied to a nearby tree limb 5 ft off the ground. This is from rural Tennessee where we have no local AM’s. 

It uses a velvet vernier I bought off eBay back around 1999 or 2000 and had saved for a special project like this. 

I’m running filaments off a 6V lantern battery and plates off a type 415 45V battery. 

A nice ham/machinist I met on the Time Nuts list who lives in San Francisco made my insulated shaft couplings. I got the Delrin rod cheap off eBay. He cut them to length, center drilled for 1/4 inch and drilled each end for 2 setscrews.

Wednesday, February 7, 2018

Understanding Switching Mixers (as in the Ceramic DC RX)

W3JDR's Comment on my post about the DC RX mixer got me thinking.   He was right -- my explanation of the mixer action wasn't quite complete, especially as far as switching mixers are concerned.  I remembered that I had written about this in the SolderSmoke book.  Below you can see the part of the book in which I discuss switching mixers.  Realize that the two diodes in F5LVG's mixer play the same role as the two gates in Leon's circuit.  It will be worth your while to sit down with Leon's circuit diagram, his frequency chart,  and a ruler and really go through this so you can SEE and really understand how the two gates (or switching diodes) generate sum and difference frequencies.  


I guess I still yearned for clarity and intuitive understanding...  Time and time again, as I dug into old textbooks and ARRL Handbooks and promising web sites served up by Google, I was disappointed. 
Then I found it.
It was in the Summer 1999 issue of SPRAT, the quarterly journal of the G-QRP Club.  Leon Williams, VK2DOB, of Australia had written an article entitled “CMOS Mixer Experiments.”  In it he wrote, “Generally, mixer theory is explained with the use of complicated maths, but with switching type mixers it can be very intuitive to study them with simple waveform diagrams.” 
Eureka!  Finally I had found someone else who was dissatisfied with trigonometry, someone else who yearned for the clarity of diagrams.  Leon’s article had waveform diagrams that showed, clearly, BOTH sum and difference output frequencies.

Switching mixers apply the same principles used in other kinds of mixers. As the name implies, they switch the mixing device on and off.  This is non-linearity in the extreme.
Not all mixers operate this way.  In non-switching mixers the device is not switched on and off, instead one of the signals varies the amount of gain or attenuation that the other signal will face. And (as we will see) it does this in a non-linear way.  But the basic principles are the same in both switching and non-switching mixers, and as Leon points out, the switching circuits provide an opportunity for an intuitive understanding of how mixers work. 

Let’s take a look at Leon’s circuit.  On the left we have a signal coming in from the antenna.  It goes through a transformer and is then applied to two gate devices.  Pins 5 and 13 of these gates determine whether the signals at pins 4 and 1 will be passed on to pins 3 and 2 respectively. Whenever there is a positive signal on gate 5 or on gate 13, signals on those gaps can pass through the device.  If there is no positive signal on these gates, no signals pass.  Don’t worry about pins 6-12.

RF A is the signal going to pin 4, RF B is the “flip side” of the same signal going to pin 1.  VFO A is a square wave Variable Frequency Oscillator signal at Pin 5. It is going from zero to some positive voltage.  VFO B is the flip side.  It too goes from zero to some positive voltage. 
Look at the schematic.  Imagine pins 5 and 13 descending to bridge the gaps whenever they are given a positive voltage.  That square wave signal from the VFO is going to chop up that signal coming in from the antenna.  It is the result of this chopping that gives us the sum and difference frequencies.  Take a ruler, place it vertically across the waveforms, and follow the progress of the VFO and RF signals as they mix in the gates.  You will see that whenever pin 5 is positive, the RF signal that is on pin 4 at that moment will be passed to the output.  The same process takes place on the lower gate.  The results show up on the bottom “AUDIO OUTPUT” curve. 
Now, count up the number of cycles in the RF, and the number of cycles in the VFO.  Take a look at the output. You will find that that long lazy curve traces the overall rise and fall of the output signal.  You will notice that its frequency equals RF frequency minus VFO frequency.  Count up the number of peaks in the choppy wave form contained within that lazy curve.  You will find that that equals RF frequency plus VFO frequency. 

Thanks Leon!  

F5LVG's Glue-Built Mixer Transformer

One thing I forgot to mention:  In Olivier F5LVG's DC receiver article back in SPRAT 100, he casually mentioned building a transformer for his mixer by taking two inductors of the appropriate values and GLUING THEM TOGETHER.   What a great idea!  I had to try it.  I did.  Picture above.  It worked in my Ceramic DC receiver, but the trifilar transformer from Farhan in India worked better.  Perhaps the coupling was tighter.  But hey, it worked.  Three cheers for Olivier.    

Sunday, January 28, 2018

Building the Ceramic Discrete Direct Conversion Receiver #4 -- The Mixer

I think the most important stage of a direct conversion receiver is the mixer.   This is the stage that takes the RF energy coming in from the antenna and -- in one fell swoop -- turns it into audio.

It is important to understand how this happens.  I go into this in some detail in the SolderSmoke book.  To summarize: 

1) You have two signals going into a non-linear device.  The way in which the smaller signal passes through the device -- how much it is amplified or attenuated -- depends on the instantaneous value of the larger signal.  We are not just adding the two signals together.

2) The waveform that comes out will be a complicated repeating waveform.  We know from Fourier that any complicated repeating waveform can be broken down into sine wave components.

3) When you analyze the complicated repeating waveforms coming out of the mixer, you will find that the sine wave components include a frequency that is the sum of the two inputs and another that is the difference between the two.

So lets suppose we have a non-linear device.  We send in a signal from our oscillator at 7061 kHz. Coming in from the antenna we have a signal at 7060 kHz.   The non-linear device will produce outputs at 14121 kHz (sum)  and at 1 kHz (difference).  We are interested in the difference frequency.  We can HEAR that one.  We feed it into our audio amplifiers and we can copy the Morse Code coming in.  It will sound like a 1 kHz tone going on and off as the operator at the distant station presses his code key.  (We don't really have to worry about the 14121 kHz signal -- it is easily eliminated by filters and would never make it through our audio amplifiers.  And in any case we could not hear it.)

What can we use as a non-linear device?  In this receiver we will use diodes.  Diodes are  extremely non-linear devices. They can be used as on-off switches, with one of the signals determining if they are on (conducting) or off (not conducting).  When used like this they are "switching mixers." In essence, a larger,  controlling signal from the VFO will be turning the diodes on and off. Thus the signal coming in from the antenna will be chopped up by the switching action of the diode being turned on and off.  This is non-linear mixing at its most extreme.  It will definitely produce the sum and difference products we are looking for.

We could build the mixer with just one diode. You could apply the VFO signal to the diode to turn it on and off, and then feed the signal from the antenna into the same diode.   You would get the sum and the difference product out the other end.   You will see very simple direct conversion receivers intended for use in software defined radio schemes using just one diode. But this kind of circuit has a couple of serious shortcomingsq: it is susceptible to "AM breakthrough" and it is "lossy."

The circuit we are using addresses these problems by using two diodes.  To reduce loss, one conducts during half of the oscillator signal's cycle, the other during the other half.  Here LTSpice is ueful. You can model this mixer and see in the simulator how each of the diodes handles half of the oscillator RF cycle, with both contributing to the AF signal we want at the output (the difference frequency).   (The schematic above is from LTSpice but it is not ready for simulation.  For this you should replace the variable resistor with two fixed 500 ohm resistors, and add two oscillators -- one with the weak incoming RF signal and the other the strong local oscillator signal.)

The AM breakthrough problem is also addressed by the use of two diodes.  Here's the problem:  If you are on 40 meters, there will be strong shortwave AM broadcast signals coming in from your antenna.  Some will be so strong that they will get past your front-end filtering.  If you were using just one diode, that diode might demodulate the AM signal -- the AM carrier would mix with the AM sidebands and you would have an undesired audio signal heading for your AF amplifiers. Many of us have experienced this -- you are trying to listen to ham radio SSB signals, but you can hear China Radio International playing in the background. 

The two diodes take care of this easily. Look at the way an AM signal would reach the diodes. The carrier (and its sidebands) going through the top diode will be 180 degrees our of phase with the signal going into the lower diode. But the output of the diodes are joined together.  They will cancel out.  We say that for the RF signal coming through from the antenna, the circuit is "balanced."  That signal -- in this case the undesired AM signal -- will cancel out at the junction of the two diodes.

But to understand this circuit you must see what is NOT cancelled out.  The signal from the VFO is hitting each diode with the SAME polarity at the same time.  Look at the 1k variable resistor. So the signal from the VFO will NOT be cancelled out at the output.  Nor will the mixing products produced in the diodes.  That last sentence is the key to all of this.  The sum and difference products that result from the mixing of the signal from the antenna and the signal from the VFO SURVIVE.  They are not cancelled out.

We can easily select the one we want.  An RF bypass capacitor connected from the output of the mixer to ground will get rid of most of the VFO signal (7061 kHz) and most of the sum product (14121 kHz) while passing the audio to the AF amplifiers. 

When I built this detector I used a trifilar toroid out of a box of them that Farhan left with me back in May. I used two of the windings  secondary and one of the windings for the primary.  You might want to make a more simple transformer using an FT-43 type core.  I recommend W8DIZ as a source. 

I hope this explanation helps, and I hope I got it right.  Let me know if you see any errors in my explanation.  Tinker with the circuit when you build it.  You should be able to get it going.       

Complete Schematic

Sunday, January 21, 2018

Mike Rainey and Heavy Metal AM Phone

Michael Rainey AA1TJ wrote:  
I can tell you exactly what's going on here. I'd just received a license upgrade from "Novice" to "General." My new license granted radiotelephone privileges and I was eager to try them out.

In the early 1970's no self-respecting amateur radio operator would dream of using amplitude modulation (AM) on wavelengths above 10m. It wasn't illegal, rather, it was frowned upon due to bandwidth issues, among other things.
But in my excitement - and in the time-honored spirit of, "don't ask permission, ask forgiveness" - I tuned my clunky, Heathkit DX-100 to the 40m radiotelephone band and began calling CQ on AM. Everyone that I contacted was very polite, but to the man they all mentioned how "odd" it was to hear an AM signal on 40m. I eventually took the hint, but not before I'd figured out that yakking on a microphone wasn't my thing after all. Morse telegraphy was my first and enduring love.
I think Michael's next phone transmitter was that voice-powered rig that he used in an attempt to cross the Atlantic with the only power source being his vocal cords. But even there, he was using his voice to send Morse.  

C'mon back to radiotelephone Mike.  There is more to life than dots and dashes!

Saturday, January 13, 2018

SolderSmoke Podcast #202 Cover-Rig, SKN, Pete's Vector Boards, uBITX, K1BQT rig, MAIL

SolderSmoke Podcast #202 is available:

13 Jan 2018

Opening music from Shel Silverstein and Dr. Hook and the Medicine Show.  
On the Cover of the Rolling Stone or  On the Cover of SPRAT magazine.
Travelogue and Weather Report
-- Bill's trip to the Dominican Republic.  SWL on the beach.  Return to the ice box.  
-- Dramatic events in California. 

-- Reading Chinese Sci Fi with lots of radio in it.  "The Three Body Problem" by Cixin Liu

Straight Key Night.  IN QRP MODE THANK YOU.  With nephew Jeffrey.  Annual event -- worked Jim W1PID  friend of Mike Rainey.  

Steve Murphy and Jeff Damm on QSO Today.  FB. 

Oh your rig is homebrew?  "It must be propagation." 

ER Reading about G3UUR

Hams avoiding 60 meters due to 100 watt limit.  SAD. 

Bill's Bench:    Continuing series on the Ceramic Discrete DC receiver.   Described  the oscillator and the AF amp.  Next we will do the Mixer.   The most interesting stage. Nephew John Henry and niece Helena visiting today. 

Pete's bench.  uBITX adventures.   
The K1BQT IC transceiver. 
The Vector Board building technique.  See

Paul KA5WPL  Looking for project with his son.  Sawdust.  Thanks again  Steve Silverman.

Chris Waldrup OM PBJ thanks for the gift

Pete in contact with Sven Johnson
Chuck KE5HPY sent us picture of fashion model with boatanchors in background  Grayson recalled 73 magazine covers...

Pete WB9FLW        Bilateral  SBE-33 ad  "with inherent stability"  That's the best kind!
Bruce KK0S experimenting with AF amps for the DC receiver

John KE5ETX Attempting CBLA

Designer: Douglas Bowman | Dimodifikasi oleh Abdul Munir Original Posting Rounders 3 Column